Spotify for Podcasters release new terms of use
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Spotify for Podcasters has released a new set of terms and conditions, which are relevant for those hosting on Spotify or just distributing podcasts on it. In an email, Spotify has run through some of the changes; we examined the terms of use to see what’s been deleted (red) and what’s new (blue). There are no big changes; but things that we’ve spotted:
- podcasts that contain “promotional content” need to be marked (just like YouTube requires; and this setting already exists on Spotify video uploads)
- The “RSS Feed” has been removed from the terms and conditions as a method of delivering content. We’d not read too much into this; the new terms have removed all methods of delivering content, including the Spotify website itself.
- The licensing requirements have been significantly shortened. As part of that, Spotify no longer contractually has to display your own copyright notice (though it’s unlikely that’ll go away, in our opinion).
- There’s no mention of training AI or anything like that, though the terms have always allowed derivative works.
- There is also a lot of stuff about arbitration in case of a dispute, which we don’t understand, but which has added two full pages to this agreement. Lawyers, eh?
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“Instinctively, commissioners favour long-running “always on” chat show formats – they are the simplest shows to monetise with their ability to grow audiences over time and attract advertisers. Any limited run series - fiction or non-fiction – is competing at a disadvantage.” Writing for Podnews, John Scott Dryden from Goldhawk Productions asks: Do we know how to monetise limited-run audio series?, and shares some of the ways the company has found success.
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A number of commercial media and content businesses have written to the UK’s Labour Party to warn about the damage that could be caused if the BBC is allowed to place advertising in its audio content in the UK. It also highlights the precedent that would be set by the move. (The Labour Party are likely to form the next government in July).
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Film Stories with Simon Brew won the podcast of the year at the Publisher Podcast Awards. We have a full list of the winners.
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It’s time to retire the download, says Oliver Plume from Adwanted UK, promoting a streaming-only solution.
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On LinkedIn, Triton Digital’s Simon Lee shares data from Singapore’s podcast landscape. 6% of shows are currently downloaded using Google Podcasts in the city state. They’re in for a surprise.
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In Austria, the government is to make €500,000 (US$540,000) of public funding available for podcasts for the first time, as part of an increased media subsidy of $27mn for private broadcasters. “Excellent journalistic products have been established in this area in recent years that have previously had to get by without any funding at all,” said a government representative.
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Spotify has launched an in-house creative agency for brands.
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Eddy by Headliner is now generating transcript and chapter files for Podcasting 2.0.
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Adam Bowie looks at the recent Edison Podcast Metrics UK top 25 data. So does Bill Rogers, who points out some inconsistencies with other public data.
Tips and tricks - with Memberful
- Want to get your show notes displaying as good as possible? Transistor tests what works across all platforms
- Heard about the iOS 17 changes in Apple Podcasts? We wrote a definitive look at what changed, and the impact it had.
Podcast News
Companies mentioned above:
Apple
Podcast data for Jun 14
#1 in Apple Podcasts
Rachel Maddow Presents: Ultra (Rachel Maddow, MSNBC)
Third Ear (Third Ear)
#1 in Spotify
The Joe Rogan Experience (Joe Rogan)
Manden fra Korsør (Sjællandske Nyheder)
Over the last week, 198,015 podcasts published at least one new episode (down 3.4%). source